/../The movement accompanying the music is abstract, we receive the intensity of the message, the moods which are there too, but we do not see any particular purpose. What is happening between the performer and the character?/.../Simple and clear are only the activities carried out between the dance acts: we see the contrast between the dancer and his performances, continuosly brought up by the existence of /.../ abstraction and narration in one body/.../

 

Magdalena Kostuś, W charakterze wykonawcy, Internetowy Magazyn 'Teatralia', numer 75/2013 

 

 

 

 

 

/.../ stories from this piece are and will be told (maybe) forever. Repeated, but always different, because transformed by different experience. Moreover the body does not have to tell, in order to speak. It always speaks, saturated with stories. Our stories get recorded in the body. The body is always here and now. And after./.../ While watching the artist on stage one can feel his stories in your own organism. 

 

Ola Król, 2013-10-23, aleczywarto.pl/teatr

http://aleczywarto.pl/teatr/my-life-in-tears-rafala-dziemidoka-relacja